bubblegum music genre

[14] In the UK, bubblegum caught on in the early 1970s and fell out of popular favor by the end of the decade. The music sought to appeal to the younger generation of urbanised South Africans and featured energetic beats that were easy to dance to. Appropriately, the genre also had a short life span, lasting roughly five years. [3] In the opinion of music historian Bill Pitzonka: "The whole thing that really makes a record bubblegum is just an inherently contrived innocence that somehow transcends that. Bubblegum is a subgenre of Popknown for its upbeat, catchy simplicity in both lyrical and musical content. Blues & Folk Music Broadway & Vocal Classical Country Music Jazz Pop Music Rock Soundtracks Browse All > ... Bubblegum: Music. Many musicians who grew up with the genre later incorporated bubblegum influences in their work. So named for the target audience of children and young teens, Bubblegum featured a concoction of sing-along choruses with simple verses and a repetitive melodic structure. The lyrics and style are often light-hearted and are not intended to be taken seriously. Bubblegum dance is a subgenre of Eurodance music. It takes Pop music and amplifies its cuteness and femininity to extreme levels, often pitching the vocals upward and warping the rhythm through a frenzied UK Bass and Wonky filter. Bubblegum aims for any part of your body it can get, as long as you buy the damn record. Editors: See notes on talk page before editing this article! [11] In 2010, author and musician Bob Stanley summarized: .mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 40px}.mw-parser-output .templatequote .templatequotecite{line-height:1.5em;text-align:left;padding-left:1.6em;margin-top:0}, While some more confrontational music would become popular with kids – some of the more colourful rave anthems, for example – kids' music became synonymous with novelty tie-ins like Bob the Builder and Mr Blobby until the explosion in kids' music, fuelled by the cross-promotional opportunities offered by the multiplicity of kids' TV channels, led by the Wiggles and the Disney stable.[11]. The lyrics and style are often light-hearted and are not intended to be taken seriously. The term also refers to a pop subgenre, originating in the United States in the late 1960s, that evolved from garage rock, novelty songs, and the Brill Building sound, and which was also defined by its target demographic of preteens and young teenagers. Explore our royalty free Bubblegum music collection. "[3] The term was seized upon by Buddah Records label executive Neil Bogart, as Pitzonka added: "Kasenetz and Katz really crystallized [the scene] when they came up with the term themselves and that nice little analogy. Many of these hits hark back to simpler times. Typical of the genre were the Ohio Express' "Yummy Yummy Yummy," the 1910 Fruitgum Co.'s "Indian Giver," and the cartoon band The Archies' "Sugar, Sugar." Apart from acts like the Partridge Family and Tommy Roe, most bubblegum groups were one-hit wonders. It was simple, melodic, and light as feather -- neither the lyrics or the music had much substance. It was all about getting the message across in two and a half minutes. During the 1970s, the original bubblegum sound was a formative influence on punk rock, new wave, and melodic metal. ", This page was last edited on 27 December 2020, at 05:10. A genre of music that started in the 60's and 70's that record companies used to make a quick buck. They are often amusing and cheerful. However, none of these songs had showings on the pop charts when released as singles, except for The Banana Splits theme song "The Tra La La Song (One Banana, Two Banana)", which managed a number 96 peak on the Billboard Top 100. A few weeks ago, South Africa-based Congolese musician TRESOR, teamed … The genre is characterized by cute lyrics and happy sounds. The Red Baron" (Royal Guardsmen, 1966), "Ding, Dong! Bubblegum pop was a genre of music that had a presence on the Billboard charts in the States from the late '60s into the early '70s. Written by world-class composers, our incredible Bubblegum tracks are exclusive and copyright clear. CD $7.99. Bubblegum music borrowed from the traditions of umbaqanga, marabi and kwela, which were all music genres that had evolved in the 1940s and 1950 as South African musicians laboured to find a local sound for their jazz and blues inspirations. Bubblegum pop (also known as bubblegum rock, bubblegum music, or simply bubblegum) is a genre of pop music whose classic period ran from 1967 to 1972. Bubblegum dance is a subgenre of Eurodance music. Bubblegum dance usually has a more pop sound than other Eurodance. QUICK ADD. In todays society bubblegum music is everywhere and almost everything. Bubblegum (also called bubblegum pop) is a pop music genre with an upbeat sound that is considered to be disposable, contrived, or marketed for children and adolescents. A cast of contributors (from cartoonist Peter Bagge to the bizarre Partridge Family Temple to Greg Shaw) document the history of, and opine on, and celebrate the unknowns of bubblegum music. The lyrics and style are often light-hearted and are not intended to be taken seriously. Bubblegum dance usually has a more pop sound than other Eurodance. Bubblegum pop (also known as bubblegum music or simply bubblegum) is a genre of music with an upbeat sound contrived and marketed to appeal to pre-teens and teenagers, which may be produced in an assembly-line process, driven by producers and often using unknown singers. It combines elements of African-American gospel music, rhythm and blues and jazz. Bubblegum was targeted at a preteen audience whose older siblings had been raised on rock & roll. The Archies' 1969 hit "Sugar, Sugar" was a representative example that led to cartoon rock, a short-lived trend of Saturday-morning cartoon series that heavily featured pop rock songs in the bubblegum vein. Discover new music you'll love, listen to free personalized Bubblegum Oldies radio. Bubblegum was a manufactured music, created by record producers that often hired session musicians to play and sing the songs. That's really the point at which bubblegum took off. Genres. The songs of bubble gum were usually about love, and had no thinking involved with listening to them, they also had a catchy tune that could be whistled at any particular moment. The genre is characterized by cute lyrics and happy sounds. And at the time we used to be chewing bubblegum, and my partner and I used to look at it and laugh and say, 'Ah, this is like bubblegum music'. As the ’70s spawned disco, teenage magazine pinups like Shaun Cassidy and Leif Garrett dared to blend bubblegum with mirrored ball music. Bubblegum pop was good for the first time you have sex.” ... Jerry Kasenetz and Jeff Katz of Super K Productions were major players in bubblegum music. The genre is characterized by cute lyrics and happy sounds. Eurodance musical subgenre that gained high popularity in the late 1990s because it contains cheerful, silly and childlike lyrics that tend to have fun. "[5], According to music historian Carl Caferelli, "You could conceivably think of virtually every cute novelty hit, from pre-rock ditties like “How Much Is That Doggie In The Window” to transcendent rock-era staples like “Iko Iko,” as a legitimate precursor to bubblegum's avowedly ephemeral themes. Bubblegum dance usually has a more pop sound than other Eurodance. Genre of music with an upbeat sound contrived and marketed to appeal to pre-teens and teenagers, which may be produced in an assembly-line process, driven by producers and often using unknown singers. [...] And it was the perfect antidote to everything that was going on [in the late 1960s]. They are often amusing and cheerful. Listen to Bubblegum Oldies music on Pandora. This foot-stomping entry by the Scottish band The Bay City Rollers was a late entry in the genre. Although it is rarely acknowledged by music critics, who typically dismissed the genre, bubblegum’s simple song structures, upbeat tempos, and “catchy” hooks were carried into punk rock. Bubblegum pop was a genre of music that had a presence on the Billboard charts in the States from the late '60s into the early '70s. Popular music genre that originated in the African American community in the United States in the 1950s and early 1960s. "[3] Music critic Lester Bangs described the style as "the basic sound of rock 'n' roll – minus the rage, fear, violence and anomie". Though the genre was originally dismissed as prefabricated novelty by music critics, most of these recordings have aged with a fine aural patina. Typical of the genre were the Ohio Express' "Yummy Yummy Yummy," the 1910 Fruitgum Co.'s "Indian Giver," and the cartoon band The Archies' "Sugar, Sugar." Bubblegum was based in melody; it was all about the song. At times frightening, often hilarious, and always illuminating, this collection of essays is written by people who clearly know music--not just the sub-genre known as Bubblegum Pop--backwards and forwards. And Neil Bogart, being the marketing person he was, just crammed it down the throats of people. "[3] He went on to list such "important antecedents" as "I'm Henry VIII, I Am" (Herman's Hermits, 1965), "Snoopy Vs. Bubblegum music borrowed from the traditional sounds of mbaqanga, marabi and kwela, so bubblegum was deep set in South African townships and their culture. Bubblegum dance is a pop music subgenre that is considered to be a type of Euro house, that is also known as Eurodance music. Bubblegum is a lightweight, catchy pop music that was a significant commercial force in the late '60s and early '70s. A heaping basket of tuneful bubblegum nuggetry from Britain's early-'70s pop market. It was a number one hit in the US in 1976. “Smile a Little Smile for Me” by the Flying Machine. Apparently, they really liked the idea of short, punchy songs with chant-able choruses. "[3], The Archies' "Sugar Sugar" became the best-selling hit of 1969 and inspired a wave of artists to adopt the bubblegum style. It was simple, melodic, and light as feather -- neither the lyrics or the music had much substance. If Miley Cyrus and today's child demographic-snaring acts have their roots in anything, it's 60s bubblegum pop. Music genres similar to or like Bubblegum dance. Bubblegum is a lightweight, catchy pop music that was a significant commercial force in the late '60s and early '70s. Come on Get Happy: Very Best… by The Partridge Family. It was a fun genre of feel-good beats and progressive vocals. The show's theme song was a bubblegum track, as it was the popular genre at the time. [11] The song's success led to "cartoon rock", a short-lived trend of Saturday morning cartoon series that heavily featured pop-rock songs in the bubblegum vein. Grid View Grid. "[3] Music critic David Smay argued that disco is merely bubblegum by another name, and that since bubblegum is "dance music for pre-teen girls", the genre's scope must therefore include dance-pop and such associated figures as Stock Aitken Waterman and Kylie Minogue, however, "Not all dance-pop is aimed at kids and shouldn't be presumed to be disposable anymore than bubblegum. Discover the most collected and trending Bubblegum music. [13] Although it is rarely acknowledged by music critics, who typically dismissed the genre, bubblegum's simple song structures, upbeat tempos, and catchy hooks were carried into punk rock. Occasionally invoked as a pejorative,[3] the "bubblegum" descriptor has several different applications. [3] Writing in Bubblegum Music Is the Naked Truth, Chuck Eddy offered that bubblegum evolved to be "more an attitude than a genre" during the 1970s. Bubblegum music was a form of pop music that was popular in South Africa in the 1980s. The lyrics and style are often light-hearted and are not intended to be taken seriously. Paroles navrantes, voix plus qu'anodines (voire parfois carrément stupides). [10] The term also refers to a pop subgenre, originating in the United States in the late 1960s, that evolved from garage rock, novelty songs, and the Brill Building sound, and which was also defined by its target demographic of preteens and young teenagers. So named for the target audience of children and young teens, Bubblegum featured a concoction of sing-along choruses with simple verses and a repetitive melodic structure. Bubblegum pop (also known as bubblegum music or simply bubblegum) is a genre of music with an upbeat sound contrived and marketed to appeal to pre-teens and teenagers, which may be produced in an assembly-line process, driven by producers and often using unknown singers. 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