Conceptual artist Luis Camnitzer was raised in Uruguay and has lived in New York since 1964. Walker Art Center, Minneapolis, MN Museo Nacional de Bellas Artes, Santiago, Chile 24.02h x 23.11w in (61h x 58.7w cm) x 22 in. Artists. Vintage silver gelatin print Queens Museum, New York, NY Museo de Arte y Diseño Contemporáneo, San José, Costa Rica Metropolitan Museum of Art, New York, NY Luis Camnitzer (b.1937) is a German-born Uruguayan artist and writer who moved to New York in 1964. Find more prominent pieces of figurative at Wikiart.org – best visual art database. Formally allied with the American Conceptualists of the 1960s and ‘70s, over the past 50 years Camnitzer has developed an essentially autonomous work. Biblioteca Communale, Milan, Italy ‘This is a Mirror, You are a Written Sentence’ was created in 1968 by Luis Camnitzer in Conceptual Art style. Daros-Latinaamerica, Zürich, Switzerland Linked Open Data Linked Open Data URI. Camnitzer’s work has been shown at important institutions since the 1960s, including solo exhibitions at El Museo de la Memoria y los Derechos Humanos, Santiago, Chile (2013); Kemper Art Museum, St. Louis, MO (2011); El Museo del Barrio, New York, NY (1995); Museo Carrillo Gil, Mexico City, Mexico (1993); and List Visual Arts Center at M.I.T., Cambridge, MA (1991). Introduction by Jane Farver Essay—Politics and Ethnicity in the Work of Luis Camnitzer by Gerardo Mosquera Statement—Manifesto, 1982 by Luis Camnitzer Essay—Wonderbread and Spanglish Art by Luis Camnitzer Essay—The Idea of the Moral Imperative in Contemporary Art by Luis Camnitzer View over 16 Luis Camnitzer artworks sold at auction to research and compare prices. Luis Camnitzer (Uruguayan, b. Germany 1937) is a prolific artist, theorist, and educator. A pioneer of 1960s Conceptualism, Luis Camnitzer uses language as his primary medium, deploying words and text in prints, sculpture, and installation work. He occupies a prominent place in the history of Latin American Conceptualism. 13.5h x 9.9w x 2d in (34.3h x 25.1w x 5.1d cm), Bricks (Installation) (1974/2012) . Installation view, Alexander Gray Associates (2014), The Form Generating the Content, 1973–1997 LUIS CAMNITZER: My name is Luis Camnitzer.I am an Uruguayan artist living in New York. Luis Camnitzer (Lübeck, Germany, 1937) has made his mark internationally not only as an artist but as a critic, educator and art theorist as well. Jewish Museum, New York, NY A highly regarded critic and curator, Camnitzer is a frequent contributor to contemporary art magazines. Luis Camnitzer Also Known as. Write the biography of an idea. He immigrated to Uruguay when one year old and lives in U.S.A. since 1964. Download video here. Introduction by Jane Farver Essay—Moral Imperatives: Politics as Art in Luis Camnitzer by Mari Carmen Ramirez Essay—Politics and Ethnicity in the Work of Luis Camnitzer by Gerardo Mosquera Statement—Manifesto, 1982 by Luis Camnitzer Essay—Access to the Mainstream by Luis Camnitzer Of his approach to art as a methodology, rather than a discipline, Camnitzer has said, “Art thinking should have the same overarching role that logical thinking has.” Along with fellow émigré artists Liliana Porter and José Guillermo Castillo, he founded the experimental New York Graphics Workshop. Born Lübeck, Germany Uruguayan, born Lübeck, Germany 1937 Active in. Luis Camnitzer. Photo: Ross Collab. Luis Camnitzer, born in 1937 in Germany, is a Uruguayan conceptual artist who works primarily in printmaking, sculpture, and installation. This solo exhibition features some seventy works created since 1966, offering visitors a close look at the Uruguayan artist who may be considered one of the art world’s key figures in the second half of the 20th century. Solomon R. Guggenheim Museum, New York Luis Camnitzer (b.1937) is a German-born Uruguayan artist and writer who moved to New York in 1964. Home art REGISTER VERIFY ABSENTEE REMINDER About Contact. Luis Camnitzer (Lübeck, Germany, 1937) has made his mark internationally not only as an artist but as a critic, educator and art theorist as well. Museo del Grabado, Buenos Aires, Argentina A retrospective of Camnitzer’s work, Luis Camnitzer: Hospice of Failed Utopias, was on view in 2018 at El Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain. Camnitzer works primarily in sculpture, printmaking, and installation, exploring topics such as repression, institutional critique, and social justice. Michael Stipe. SOCIAL MEDIA GUIDELINES. His work has appeared in numerous group exhibitions, including HOME—So Different, So Appealing, Los Angeles County Museum of Art (LACMA), CA, which traveled to Museum of Fine Arts, Houston, TX (2017); I am you, you are too, Walker Art Center, Minneapolis, MN (2017); Under the Same Sun: Art from Latin America Today, Solomon R. Guggenheim Museum, New York, NY (2014); and Information, The Museum of Modern Art, New York, NY (1970). He was the recipient of the Guggenheim Fellowships on two occasions, 1961 and 1982. Museo de Artes Plásticas, Montevideo, Uruguay Luis Camnitzer (born November 6, 1937) is a German-born Uruguayan artist, curator, art critic, and academic who was at the forefront of 1960s Conceptual Art. Luis Camnitzer, “Self-Portrait” (1968-1972) The comprehensive show also features early conceptual works such as “Sentences” (1966) and “Envelope” (1967). Museo Nacional de Bellas Artes, Havana, Cuba During the 1970s, Camnitzer created a key body of work that blended both language and humor—producing a series of Object Boxes that placed ordinary items within wood-framed glass boxes with text printed on brass plaques. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 12.0px; font: 12.0px Helvetica; color: #000000; -webkit-text-stroke: #000000; background-color: #ffffff} Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain Until recently, Luis Camnitzer has been an insider’s tip in the field of conceptual art. Luis Camnitzer is a Uruguayan artist born in Germany, 1937. Auctions. Museum of Fine Arts, Houston, TX 12.25h x 18.75w in (31.11h x 47.63w cm) each. Camnitzer’s artwork explores subjects such as repression under systems of power, pedagogical norms, and the deconstruction of familiar frameworks. Museum Wiesbaden, Germany 9.5h x 13.1w in (24.1h x 33.3w cm), This is a poetic statement. He is a Professor Emeritus of Art, State University of New York, College at Old Westbury. Whitney Museum of American Art, New York, NY He was at the vanguard of 1960s Conceptualism, working primarily in printmaking, sculpture, and installations. Luis Camnitzer was born in Lübeck, Germany in 1937 and grew up in Montevideo, Uruguay. Museum Lodz, Łódź, Poland Colección Patrica Phelps de Cisneros, Caracas, Venezuela/New York, NY During the late 1960s and early 1970s, Camnitzer developed a body of work that explored language as a primary medium, printing text on paper or walls, such as in his Dictionary etchings and room-size installation, Living Room (both 1969). In 1964 he moved from Montevideo to New York, where he has lived and worked since. Photoetching in 35 parts, 29.30h x 21.80w in (74.42h x 55.37w cm) Luis Camnitzer (b.1937) is a German-born Uruguayan artist and writer who moved to New York in 1964. Luis Camnitzer (born 1937) is a German-born Uruguayan artist and academic who resides in the United States. Photoengraving in 9 parts; 113h x 95w in (287.02h x 241.3w cm) Auction Houses. A highly regarded critic and curator, Camnitzer is a frequent contributor to contemporary art magazines. Bibliotheque Nationale, Paris, France Museum of Contemporary Art, Skopje, Republic of Macedonia From the series "The Assignment Books" (2011) From the series "The Assignment Books", 2011, Fenster [Ventana, Window] (2001-2002/2010) This touring site-specific installation is displayed prominently on the exterior of an institution of fine art. As a transplant from the "periphery" to the "center," Camnitzer has had to confront fundamental questions about making art in the Americas, asking himself and others: What is "Latin American art"? Luis Camnitzer. here. Collection of Museum of Modern Art, New York, A) Objeto Cubierto Por Su Propia Imagen. Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain Museo de Arte Contemporáneo de Castilla y León, León, Spain Jenny Holzer. Luis Camnitzer: Forewords and Last Words presents a selection of prints, multiples, and artist’s books by renowned conceptual artist Luis Camnitzer, highlighting his longstanding engagement with the print medium as well as his distinctive interweaving of wordplay, wit, and sociopolitical critique. Luis Camnitzer Born in Lübeck, Germany, in 1937, Camnitzer immigrated with his family to Montevideo, Uruguay, at the age of two. Drawings (2317) Fine Art - General (187) Mixed Media Art (2422) … Museo de Arte Moderno, Cartagena, Colombia His work frequently addresses social injustices in his native Latin America, as in the photo-and-text series “Uruguayan Torture Series” (1983–4), as well as the political landscape in his adopted United States. Mixed Media Museo de Gráfica y Dibujo Latinoamericano, Roldanillo, Colombia His work was featured in numerous exhibitions at key galleries and museums, including the Brooklyn Museum of Art and the MACBA, Museu d'Art Contemporani de Barcelona.Luis Camnitzer's work has been offered at auction multiple times, with realized prices ranging from $150 USD to $11,400 USD, … He was at the vanguard of 1960s Conceptualism, working primarily in … Luis Camnitzer (born November 6, 1937) is a German-born Uruguayan artist, curator, art critic, and academic who was at the forefront of 1960s Conceptual Art. He was at the vanguard of 1960s Conceptualism, working primarily in printmaking, sculpture, and installations. Artist: Luis Camnitzer, Uruguayan/German (1937 - ) Title: Ejercicio Final Portfolio: Grafica Latinoamericana Year: 1970 Medium: Intaglio with Collage, signed and numbered in pencil Edition: 100 Size: 30 in. 7.69h x 9.96w x 1.98d in (19.53h x 25.29w x 5.03d cm), He practiced every day from Uruguayan Torture Series, 1983–84 Formally allied with the American Conceptualists of the 1960s and ‘70s, over the past 50 years Camnitzer has developed an essentially autonomous work. Pigment prints in 195 parts; 11.75h x 9.5w in (29.85h x 24.13w cm), (each) This photo-etching series epitomizes Camnitzer’s ability to question the social and political roles of an individual in society, while also examining a dimension of human psychology by pairing images and text to create new meaning. J. Paul Getty Museum, Los Angeles, CA . January 2009 Luis Camnitzer was born in 1937. Centro Wifredo Lam, Havana, Cuba Museo Nacional de Artes Visuales, Montevideo, Uruguay Silver gelatin print; 11h x 14w in (27.94h x 35.56w cm) His writings, projects, and educational treatises challenge convention and confront institutional power, economic injustice, and political repression. Subscribe to access price results for 150,000 different artists! Characterized by a biting humor and political charge, his practice investigates power structures through the lenses of communication, social injustice, and institutional critique. This consistent dedication cements his place as a key figure in shaping debates around ideas of post-colonialism, Conceptualism, and pedagogy. In 1964, he co-founded The New York Graphic Workshop, along with fellow artists Liliana Porter and José Guillermo Castillo (1941–1999). In many ways, these boxes anticipate one of Camnitzer’s most important works, the Uruguayan Torture Series (1983–84). For six years until the end of the workshop in 1970, they examined the conceptual meaning behind printmaking, and sought to test and expand the definition of the medium. Colby College Museum of Art, Waterville, ME Yeshiva University, New York, NY, Time Lapse: Luis Camnitzer's "The Museum is a School" at Museo Jumex, Artist Profile: Luis Camnitzer on “Art Thinking” and Art History, Luis Camnitzer on Giovanni Battista Piranesi's etchings, Artist Profile: Luis Camnitzer on His Reasons for Making Art Guggenheim Museum, 510 West 26 Street, New York NY 10001 United States, 224 Main Street, Garden Level, Germantown NY 12526 United States, 12h x 24w x 12d in (30.48h x 60.96w x 30.48d cm), Words/Matter: Latin American Art and Language at the Blanton, Luis Camnitzer: Hospice of Failed Utopias, Luis Camnitzer: Cinco Piezas, 2011 – 2018, Scenes for a New Heritage: Contemporary Art from the Collection, Permission To Be Global/Prácticas Globales, Museo de Arte Contemporáneo de Castilla y León, Camnitzer’s work is in the permanent collections of countless institutions, including The Museum of Modern Art, New York, NY; Metropolitan Museum of Art, New York, NY; Whitney Museum of American Art, New York, NY; Solomon R. Guggenheim Museum, New York, NY; Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain; Museum of Fine Arts, Houston, TX; Tate, London, UK; Museo de Arte Latinoamericano de Buenos Aires, Argentina; and Daros Latinamerica Collection, Zurich, Switzerland. Camnitzer works primarily in sculpture, printmaking, and installation, exploring topics such as repression, institutional critique, and social justice. Concepts of pedagogy and art education form the crux of Camnitzer’s A Museum Is A School. Museo La Tertulia, Cali, Colombia Other works include adhesive labels printed with absurdist architectural proposals, and a series in which Camnitzer offered his signature for sale, in either hand-written text or print-based media. View Luis Camnitzer’s artworks on artnet. Camnitzer’s work is in the permanent collections of countless institutions, including The Museum of Modern Art, New York, NY; Metropolitan Museum of Art, New York, NY; Whitney Museum of American Art, New York, NY; Solomon R. Guggenheim Museum, New York, NY; Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain; Museum of Fine Arts, Houston, TX; Tate, London, UK; Museo de Arte Latinoamericano de Buenos Aires, Argentina; and Daros Latinamerica Collection, Zurich, Switzerland. National Museum of Modern Art, Baghdad, Iraq Museo de Arte Moderno, Buenos Aires, Argentina Etching on paper Library of Jerusalem, Israel It … Fonds Régional d’Art Contemporain de Lorraine, France He has authored the publications, Gund Gallery of Kenyon College, Gambier, OH, HANGAR - Centro de Investigação Artística, Blanton Museum of Art, University of Texas at Austin, Museo Nacional Centro de Arte Reina Sofía, Museo de Arte Latinoamericano de Buenos Aires, Museum of Modern and Contemporary Art Rovereto, MAC Quinta Normal and El Museo de la Memoria y los Derechos Humanos, Museo de Arte de la Universidad Nacional de Colombia, Morris and Helen Belkin Art Gallery, University of British Columbia. span.s1 {font-kerning: none}, ARCO Corporation, New York, NY Jenny Holzer. Represented by industry leading galleries. Retrospectives of his work have been presented at Lehman College Art Gallery, Bronx, NY (1991); Kunsthalle Kiel, Germany (2003); Daros Museum, Zurich, Switzerland (2010); El Museo del Barrio, New York, NY (2011); and Museo de Arte de la Universidad Nacional de Colombia, Bogotá (2012). Edition of 10 with 1 AP, The Discovery of Geometry (1978) Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. About this artwork Currently Off View Prints and Drawings Artist Luis Camnitzer Title Her Fragrance Lingered On, plate eight from Uruguayan Torture Series Origin United States Date 1983 Medium Color photo-etching from five plates on ivory wove paper Artist, educator, curator, and critic Luis Camnitzer has been writing about contemporary art ever since he left his native Uruguay in 1964 for a fellowship in New York City. Artist: Luis Camnitzer American, born Germany, 1937. El Museo del Barrio, New York, NY . Brass plaque with mixed media, Landscape as an Attitude (1979) A pioneer of 1960s Conceptualism, Luis Camnitzer uses language as his primary medium, deploying words and text in prints, sculpture, and installation work.In a key body of work produced in the 1970s, Camnitzer paired images and text by placing ordinary objects within wood-framed glass boxes with text printed on brass plaques. Luis Camnitzer is regarded as a well established artist, who originates from Uruguay, like other celebrated artists such as Marcelo Viquez, Alexandro Garcia, Virginia Patrone, Marco Maggi, and Pablo Atchugarry. 19h x 23.25w in (48.26h x 59.06w cm) Sun, 1975–1978 São Paulo Museum of Art, Brazil The art of Uruguayan artist Luis Camnitzer is a concrete example of the way in which this tension can provide the basis for a coherent and successful body of work that addresses the First/Third World problematic while providing an alternative to the question of a viable political art within the parameters of the present system. He has authored the publications New Art of Cuba (University of Texas Press: 1994, 2003), Conceptualism in Latin American Art: Didactics of Liberation (University of Texas Press: 2007), translated as Didáctica de la liberación: Arte conceptualista latinoamericano (Hum, Montevideo, Uruguay, CENDEAC, Murcia, Spain and Fundación Gilberto Álzate Avedaío, IDARTES: 2012). Tate Modern, London, United Kingdom Malmö Stad, Sweden @camnitzerluis. Graphite on paper An innovator of Conceptual art in New York during in the 1960’s, Luis Camnitzer is a German-born Uruguayan artist best known for his use of language in printmaking, sculpture, and installation. In a key body of work produced in the 1970s, Camnitzer paired images and text by placing ordinary objects within wood-framed glass boxes with text printed on brass plaques. Edition of 5 with 1 AP. New York Public Library, New York, NY Luis Camnitzer and The Lehman College Art Gallery also wish to express appreciation to Art Matters, Inc. for sponsoring Mr. Camnitzer to create a special, limited edition artwork of fifty hand-altered, "censored" versions of this catalogue. Israel Museum, Jerusalem, Israel Luis Camnitzer: Retrospective Exhibition 1966-1990. He was at the vanguard of 1960s Conceptualism, working primarily in … n.d. stencil Recently Viewed. Luis Camnitzer is also represented by Galería Parra & Romero, Madrid, Spain. Adhesive vinyl Though Camnitzer never left New York, his practice remains intrinsically connected to his homeland and the whole of Latin America. Smithsonian American Art Museum, Washington, DC Mixed Media Luis Eugenio Camnitzer. Museu de Arte Contemporânea da Universidad de São Paulo, Brazil Engraved glass A pioneer of 1960s Conceptualism, Luis Camnitzer uses language as his primary medium, deploying words and text in prints, sculpture, and installation work. (76.2 cm x 55.88 cm) In a key body of work produced in the 1970s, Camnitzer paired images and text by placing ordinary objects within wood-framed glass boxes with text printed on brass plaques. Edition of 15 with 1 AP, Memorial (2009) Born in Lübeck in 1937, Luis Camnitzer escaped with his family from Nazi Germany to Uruguay in 1939. Casa de las Américas, Havana, Cuba 27.56h x 23.62w in (70h x 60w cm), Find an unnamed object and suggest a proper name for it. He currently lives and works in New York. 8h x 10w in (20.32h x 25.40w cm), Please look away (2015) Identify the elements that construct the poem. Blanton Museum of Art, University of Texas, Austin, TX Luis Camnitzer is a German Postwar & Contemporary artist who was born in 1937. Camnitzer’s artwork explores subjects such as repression under systems of power, pedagogical norms, and the deconstruction of familiar frameworks. Museum of Modern Art, New York, NY Museo de Arte Moderno, Bogotá, Colombia Uruguayan. Landscape as an Attitude, 1979. Eldzier Cortor. Brass plaque with mixed media, This Is a Mirror, You Are a Written Sentence (1966-1968) (1971-1974) Limited-Edition Prints by Leading Artists, He practiced every day, plate 2 from Uruguayan Torture Series, 1983, Southern Cone (Argentina, Chile, Paraguay, Uruguay). 19.06h x 24.61w x 0.59d in (48.4h x 62.5w x 1.5d cm), Infinite Rays of The Sun (1975-1978) Snite Museum, Notre Dame University, South Bend, IN His humorous, biting, and often politically charged use of language as art medium has distinguished his practice for over four decades. Cabinet of Drawings and Prints of the Uffizzi, Florence, Italy Photo etching on brass He has been featured in several international biennials, including the Bienal de la Habana, Cuba (1984, 1986, 1991, 2009); Pavilion of Uruguay, 43 Biennale di Venezia, Italy (1988); Whitney Biennial (2000); and Documenta 11 (2002). He is among the most important conceptual artists in Uruguay. Learn about the artist and see available works for sale. Michael Stipe. Edition of 5 with 1 AP, The American Star (Captain Riley) (1990) Camnitzer works primarily in printmaking, sculpture, and installation, producing bitingly humorous works with a focus on language and socio-political concerns as in Memorial (2009), in which he inserted the names of the “disappeared” in Uruguay during the dictatorship into the telephone book. As his interest in language unfolded, so did his aim to identify socio-political problems through his art. After studying sculpture and architecture at the Escuela Nacional de Bellas Artes (National School of Fine Arts) in Montevideo’s Universidad de la Republica, Camnitzer won a grant to study at the Academy of Munich. Luis Camnitzer (Uruguayan, born 1937). Luis Camnitzer, 2018. Uruguay; New York; Nationalities. Vacuum formed polystyrene University of New York, College at old Westbury along with fellow artists Liliana Porter and Guillermo!, Madrid, Spain and José Guillermo Castillo ( 1941–1999 ) Uruguay in 1939 grew! 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