BILLY: I think thats what kept us going. ET: Did Phil Gernhard have permission from Charles Schulz to use Snoopy? It was pure Dick Holler. BILL: That same music store, which was in the Pine Street shopping center in Ocala, is where Jay, who was our guitar player but was now our manager, ran into a guy named John Veciana. They didnt take me because I had a bad elbow and back at the time so I had to wear a wig! BILL: For our first session, we did Baby Lets Wait, we did the blues song I Needed You, a song Tom wrote called He Isnt Here, and Leaving Me. Chris had the vocals for the Jagger and Burdon styles and Barry had the vocals for the Beatles. By ED Tucker We played it for him and he said play it again, I kind of like that. Ricardo Montalban was the co-host. ET: After the success of Snoopy Vs. the Red Baron, were you given any say in what was recorded next or was it just a given it would be another Snoopy song? We figured nobody was ever going to hear it any way! We both went and got hair cuts but we saved our hair and stuffed it in the schools mail box! Did they still want to continue with the novelty records? We were doing the English stuff and hoping to write songs in that genre, then here comes Snoopy! ET: After the success of Snoopy Vs. the Red Baron, were you given any say in what was recorded next or was it just a given it would be another Snoopy song? ET: It must have been an agreeable arrangement if he stayed on as your manager. Gernhard said we needed a professional photo done. Ricardo Montalban was the co-host. JOHN: When I Needed You was recorded, Chris had all the lights turned down and he made us step off to the side so we werent in his vision. BARRY: Return was just one of those typical record company things. Chris had the vocals for the Jagger and Burdon styles and Barry had the vocals for the Beatles. We figured nobody was ever going to hear it any way! People were blown away with what we were playing. ET: Prior to the first album being released, what types of songs did you play in your live shows? BILL: We had already put out Baby Lets Wait on the label prior to that. Eventually our attitude did get sour. I was only seventeen and I didnt know what was going to happen if I told them I was the one making that noise! I was down at Johnsons Beach one Saturday watching The Royal Guardsmen play when Larry Rich called me aside and asked me if I would like to replace him in the group. BARRY: We did one show in Seattle at a huge coliseum called The Round. Eventually our attitude did get sour. BILL: We played the Beatles, the Rolling Stones, the Animals, and the Zombies. They had great harmony together. Were you pushing for something else? The place was packed and the stage started to jerk about every tenth round. It didnt go so then he came back and said now you have to do Snoopy. The crowd loved it, they thought it was part of the show! You had a choice between French, Latin, or German, ironically no Spanish then, and I chose German. They released that as a single and Billy and Barry wrote it. Everyone had the same mindset, lets cover the record to a tee with total quality. ET: How close was this to the final version? We played the Cow Palace in San Francisco with Jefferson Airplane. The true image kept asserting itself. I got to put in some instruments that they probably wouldnt have used if I hadnt mentioned I would like to do that. ET: Thats funny because on the cover of The Return of the Red Baron album, you and Tom have the shortest hair in the group. Ricardo Montalban was the co-host. We held the auditions at the American Legion Hall in Belleview, right across the street from Barry Winslows house. They had great harmony together. I dont remember if the German intro was Gernhards idea or mine but I remember walking around the studio writing it. CHRIS: We got a good response to the shows. BILLY: I think it was around September. A lot of people were introduced to this single at a young age and when they flipped the record over they were in for a very jarring surprise on the B side. BARRY: Return was just one of those typical record company things. We were a cover band back in the days before the term caught on. Chris had the vocals for the Jagger and Burdon styles and Barry had the vocals for the Beatles. It was used for talk shows and to record radio jingles. It was booming through the riser I was on. On The Return of the Red Baron we had him saying I hate that little dog Snoopy! We used to practice at Tom Richards house and we put the Snoopy song together in the garage. The album was good but they were just throwing the single out there to keep it going. BILLY: That was done at Six Gun Territory. Tom was the only one in the whole school who had red hair so eventually they figured it was him. We were rehearsing the song and I was stomping my base drum foot even though I was not actually hitting the drum. We got a pretty good response and so we got asked back the next time they had one of these local band shows. The place was packed and the stage started to jerk about every tenth round. We had a full orchestra. CHRIS: We got a good response to the shows. Did they still want to continue with the novelty records? It would turn so far one way and then stop and turn the other way. BILL: We didnt want to do any more novelty type tunes. BILL: We didnt want to do any more novelty type tunes. I saw this blue-white light just arc as it shorted out on my lip! It had Baby Lets Wait on the A side and Leaving Me on the B side because those were the first two songs we recorded. The Red Baron or was the idea to get into the studio and record an album as quickly as possible? Gernhard said we needed a professional photo done. What was the reaction of the record company? We had people come up to us afterwards and say we came to laugh at the Snoopy boys but you guys can play! He ratted me out and we got suspended. The stage was backlit so you could barely see a row out, the rest was just noise! BILL: We didnt want to do any more novelty type tunes. I wasnt about to just let them throw me on the ground so I went to enlist and I cut all my hair off, I wasnt going to let them do that either. The audience didnt accept it though because it wasnt what they thought of as The Royal Guardsmen. Tom was the only one in the whole school who had red hair so eventually they figured it was him. They eventually changed their name to Gingerbread and recorded an album in New York called Flow. JOHN: Of all the songs we did I think that one had the nicest production. I also played this big line of tubular bells with flip flops on! BARRY: I had turned eighteen already and I was in the draft. The Kingsmen had a hit with Jolly Green Giant and the Sam the Sham had Little Red Riding Hood. JOHN: Tom and I actually got thrown out of Ocala High School for having long hair. Chris had the vocals for the Jagger and Burdon styles and Barry had the vocals for the Beatles. We had to chase the mic stands and one of them hit me right in the face! They just made another label and stuck it on there but it kept alive the momentum while they were sorting things out. We had a full orchestra. Were you pushing for something else? Eventually our attitude did get sour. BILLY: I think we recorded that around August or early September because it was released the week before Thanksgiving. I saw this blue-white light just arc as it shorted out on my lip! Gernhard said we needed a professional photo done. BARRY: They went long in Ricardo Montalbans segment and they just threw us in there. CHRIS: As soon as the guys who were still in school got out for Christmas break we did a West Coast tour. We got a pretty good response and so we got asked back the next time they had one of these local band shows. BILLY: That was done at Six Gun Territory. ET: Did you make any television appearances in support of the single? We didnt mind doing whatever they came up with from their writers as long as it was more along the lines of what we wanted to do but they pushed Return of the Red Baron on us. JOHN: When I Needed You was recorded, Chris had all the lights turned down and he made us step off to the side so we werent in his vision. We went back into the studio in Tampa almost immediately. BARRY: I had a ball with the Christmas record. We came on stage and started doing all this Procol Harum stuff and they just sat down and didnt move for two hours! ET: Pardon my lack of fluency in German, but what exactly does the intro translate to? Even though we had a partition behind us it was still odd. Then Christmas of 1967 came around and they wanted us to do Snoopys Christmas which we werent too enthusiastic about but it turned out to be a good move. BILLY: We did do a four or five week tour right around Christmas time though but it was in between recording the album. Did any other labels express interest? We played with the Beach Boys in Seattle. JOHN: We did the Mike Douglas Show. JOHN: When I Needed You was recorded, Chris had all the lights turned down and he made us step off to the side so we werent in his vision. We went back into the studio in Tampa almost immediately. BILLY: Well we did have the name for the group picked out so we felt we had come a long way! CHRIS: We came up with a list of tracks we wanted to do that had a cartoon theme to them. The song had originally been written by Dick Holler as a straight historical ballad, like Johnny Hortons Sink the Bismark, but about the Red Baron. JOHN: Phil Gernhard had promised us he would put a regular song out, which he did with Baby Lets Wait. JOHN: We did the Mike Douglas Show. CHRIS: Right, smoking in the auditorium! Were you pushing for something else? ET: After the success of Snoopy Vs. the Red Baron, were you given any say in what was recorded next or was it just a given it would be another Snoopy song? I was down at Johnsons Beach one Saturday watching The Royal Guardsmen play when Larry Rich called me aside and asked me if I would like to replace him in the group. JOHN: We did the Mike Douglas Show. ET: Prior to the first album being released, what types of songs did you play in your live shows? ET: The Return of the Red Baron is probably your most personal album but neither it nor the single did as well as the first ones. We had record companies calling, Gernhard was all excited and of course, we were too. They released that as a single and Billy and Barry wrote it. BILLY: That was done at Six Gun Territory. I was only seventeen and I didnt know what was going to happen if I told them I was the one making that noise! My potential girlfriend lived next door to Bill so I hung out across the street trying to figure out how I could be friends with him so I could be next to her! They wanted to get something out there and keep it going. The crowd loved it, they thought it was part of the show! CHRIS: It didnt have all the sound effects and stuff in it but it was pretty close. JOHN: Phil Gernhard had promised us he would put a regular song out, which he did with Baby Lets Wait. We were progressing and getting better and better but we didnt feel our guitar player, Jay, was progressing with us. We were tired, our eyes were puffy and we were just worn out. It was booming through the riser I was on. BILL: We played the Beatles, the Rolling Stones, the Animals, and the Zombies. Through the contacts with John Veciana and WALT radio, which was a radio station in Tampa that was a low power alternative to WLCY, they got us into playing local clubs in the Tampa Bay area. Did any other labels express interest? I played the timpani and a cymbal and put in a drum solo. ET: Prior to the first album being released, what types of songs did you play in your live shows? The place was packed and the stage started to jerk about every tenth round. I remember them saying they were getting the sound of my flip flops in the recording as I ran down the bells but I didnt think anyone would be able to hear it. We played Washington State, Oregon, LA, and San Francisco. BILL: It was the only thing we had left in the can! We played with the Beach Boys in Seattle. Schulz eventually gave his consent, they got a pretty healthy chunk of money, and we moved right on down the road. 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